~~~~~
What is it about fading zinnia flowers that I love so much?
The fading color, almost melting back to green (where it all began), the petals - nibbled on by God-knows-what, a flower's resilience at the end of a long day?
All of those things I suppose, and more - unrecognizable, unknowing things.
I just know that I love them.
~~~~~
Last evening I attended a reading at Ashley Hall by the poet Thomas Lux. The lab was first introduced to Lux by Katherine when she read us the poem Refrigerator, 1957 one day back in January during lab meeting - and Katherine and I both smiled last night when Lux read that poem first. It was interesting to see the poet himself read this poem: he read it with much more humor, in a voice more dramatic than the voice he spoke with between poems. It changed the poem for me, and I found myself, for the first time - feeling like the poet was getting in the way of the poem, as if he was reading it in a way that controlled my view of it. Does this make sense? I discussed this a bit with Katherine today - I hadn't experienced this before. That said - the evening was wonderful - I mean, these poems! They resonate - his fascination with biology, his observation of the everyday, his comments about teaching - and his obvious passion for the process of sharing what he knows with future poets. At the end, a person asked him about where he finds his inspiration, and he told us that he disliked that word - that really, what it was all about was work, hard work - and how each poem was the culmination of as many as 15 revisions that sometimes took a year or more - years. He went on to talk about attentiveness, and I feel as if I recall him quoting the 17th century French priest, theologian, and philosopher, Nicolas Malebranche: 'Attentiveness is the natural prayer of the soul.' Our hard work, our attention to things - and as I think of this I look around at the pile of papers and drafts of manuscripts in front of me, and know that I need to take heed, to settle in, and to enter into a period of very hard and focused work. I need to quit waiting for inspiration, for the vision I so often joke about - I need to simply work.
For more about Lux, you might enjoy his interview in the New York Times back in 1998, or this one at The Cortland Review in 1999. There's much more out there about him. Last night he mentioned several more recent interviews - one in the New York Times magazine, but I couldn't dig it up - and tonight I don't have the patience to see it through (Oh! Wait - there is a recent audio interview, by John Stoehr, over at the Charleston City Paper). So - I will leave you with a poem from his latest book, and one that he read to us last evening. But there are so many more wonderful poems - it wasn't easy to select just one, but I need to take dogs outside in the darkness, all of us happy to feel the cool winds once again.
The Joy Bringer by Thomas Lux (from God Particles, 2008)
breaks the light through the oak leaves at dawn.
The joy-bringer injects the red bird's red.
The joy-bringer brings the green, lets the cup runneth over
into a saucer, from which you can sip.
Gives fish the river, the river the fish.
If by two inches you avoid a piano
falling on your head
and later at the hospital fall in love with the doctor
who removes a few splinters
of ivory and black piano lacquer
from your left calf: the joy-bringer.
arranged that Also the chilled artesian water
spilling from a pipe only two inches above the ground,
from which you drank on your hands and knees,
that sweet cold reaching-up,
you drank among the skunk cabbage, ferns, a small brook
at your bade again, guess what,
the joy-bringer! In fact, let us praise
the joy-bringer for these seven
things: i) right lung, 2) left lung, 3) heart, 4) left brain,
5) right brain, 6) tongue, 7) the body to put them in.
Thank you, joy-bringer!
And thanky, thanky too for just-mown-hay,
cut an inch from its roots
to bleed its perfume into the air!
~~~~~
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